A frenzied accelerando played by both instruments concludes the piece. The last section features rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before. It concludes with a cadenza that provides a transition to the lyrical second section. Created in 1943 as part of the four exam pieces for the Paris Conservatoire this charming Sonatine for Flute and Piano is part of the early works of Henri Dutilleux (1916-2013) a French Composer following the paths of Maurice Ra. The first section features a mysterious theme in 7Ĩ contrasting with jagged piano figures. Flute and Piano Sheet music Leduc, Alphonse. The sonatine is structured in 3 sections played without a break. As of 2014, it is Dutilleux's most often recorded work. The work has become a standard of the flute repertoire and has been performed many times by flautists such as Sharon Bezaly, James Strauss and Emmanuel Pahud. Predating his official Opus 1 (the Piano Sonata) by five years, Henri Dutilleuxs Flute Sonatina hardly reflects the composers distinctive mature style its in a more generic, sometimes saucy French manner.
the flute piece is the Sonatine for Flute and Piano, which has been recorded many times abroad, although I have never wanted it to be recorded in France because it doesn’t yet sound really like my music. He once stated that he had never been completely happy that it was played so often but he never withdrew it. ĭutilleux was notoriously critical of his early works, including the Sonatine. These pieces were intended both to test the technique of the students and provide them with new scores. They were commissioned by then-director Claude Delvincourt. The Sonatine for Flute and Piano is one of a series of four test pieces for the Paris Conservatoire that Dutilleux wrote between 19.
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